& then I stop & think some more…
wenn man ueber sich schreibt, ersetzt man zwangslauefig eine realitaet durch eine andere
- sagt justin levi
& musste denken an die malerei – die sich schicht fuer schicht aufbaut aus gedanken – obwohl sie das sichtbare abbildet – meidet sie das abbilden – sie sucht nach der substanz obwohl sie nur 2-dimensional ist. in ihrer form packt sie zeit & inhalt in den fiktiven raum der leinwand… & will vorallem durch das abgebildete hindurch sehend machen …
more thoughts…
A painter should not paint what he sees but what should be seen.
Valery
&
The true mystery of the world is the visible, not the invisible.
Oscar Wilde
sometimes words describe very well what painting is about – strange though, that is easier to understand painting through the ears, than through the eyes!
Paintings that got selected …
this diptochon was choosen to participae in a competition”ORIENT OKZIDENT” in offenbach – this is what I wrote about them:
John Berger said:
… But the essential way of seeing women, the essential use to which their images are put, has not changed. Women are depicted in a quite different way from men – not only because the feminine is different from the masculine – but because the ‘ideal’ spectator is always assumed to be male and the image of the woman
is designed to flatter him. If you have any doubt about that this is so, make the following experiment. Choose an image of a traditional nude. Transform the woman into a man. Either in your mind’s eye or by drawing on the reproduction. Then notice the violence which that transformation does. Not to the image, but to the assumptions of a likely viewer.
I had just read that, as I started to think about Orient & Occident, the history of iconography, the respect concerning taboos & painting images.
I thought about hair & how every plain area in my neighborhood is visually possessed by derobing & depilation mania – our poor senses!
is that freedom?
& on the other side women – covered up under huge amounts of textile – trying to cope with the kids in the swimmingpool or just on the playground
strange ideas cross my mind (fashionvictims???)
the strangeness of solutions that we manage to talk ourselves into beeing total logic
who is protected? she from him? he from her sight? now, is he incapacitated & she looses her identity?
I’m the KING of the CASTLE
to be totally happy – that is an ecstatic feeling you forget about everything & there is this moment… maybe even a long moment – the world is perfect, all is right…
I am looking for that experience again – I see it with kids quite often -
getting bigger – getting closer
the next painting slowly emerging – I want to get an even closerlook – so let’s make it bigger – which isn’t really what I can make visible through the internet – where everything fits into the screen no matter how big or small it is !
this time you can take a small glimse of the studio – in the back there is still the last painting – which I just sold – fresh from the eazle so to say!
I just looked through last years dokumentation -
& found this panorama:
http://panoramas.cgtechniques.com/masc-osei/2009-05-21%20Masc/index.html?src=Raum1.mov
quit amazing view of the space – …you almost miss the paintings whirling round …
EXAMPLE
here you can see me rehearsing & figuring out in my studio – & the you see where I take it next
there is still way to go…
you are welcome to propose – if you have an idea!
how to live up to this… ?
The job of the artist is always to deepen the mystery. Francis Bacon
like this painting I’m working on – I want him to look at me & hold on to a glass – really holding on – but I ‘m just staggering around with my brush & he is simply looking flat
I think he is getting there now – …
I got stuck with the book about the painters aids – by hockney – how all painters used technical aid as soon as it was invented like: camera obscura & mirrors & fotos & so on – hockney shows the traces that the technical devices leave in the work of the artist – & I fell for one detail – in many paintings the subject turns out left handed – mirrored probably – so I went to propose a change – & while I was there – feeling quite bold indeed (I don’t feel like competing with caravaggio really) – I also made up some changes in the perspective – cheers!
here is the caravaggio that lead the way

REVIEWING BEFORE PACKING
many ideas & sketches that I will take home – here they are all stretching out …
it has been such a great time


